We’ve brought you more of what you love, with a 20-page guide to some of 2025’s (and a few of 2026’s) débutantes around the world, an analysis on whether there’s a 30-year cycle for car design, industry analyses including whether BYD will beat Ford in sales, how BMW’s kidney grille has morphed since its first appearance in 1931, and a celebration of 100 years of the Rolls-Royce Phantom.

Read more about models such as the Polestar 5, Ferrari 849 Testarossa, Toyota bZ7, and the aforementioned Bugatti and two Renaults—as well as a look back at the Daewoo Winstorm, your next most searched-for car on Autocade’s main website. We close this edition with two of Kylie Minogue’s car marketing gigs, for Ford and Lexus.

As with previous years, Autocade Year of Cars 2026 is lavishly presented, on high-quality paper, and a hardcover with dust jacket, to be pride of place on a special car enthusiast’s bookshelf.

Printed in the UK, 144 pp. on 150 g/m² stock, plus cover. Hardcover, case bound, with dust jacket. Dispatch takes place a minimum of three working days from the time of your order.

ISSN 3021-159X

In this issue: the magic of Julia Colléaux’s fashion; Paris’s autumn–winter 2025–6 haute couture shows; SKCreations’ Sharon A. Keyser on her approach to design; jewellery designer Suzy Levian carries on her family tradition; DIME Beauty’s big Hollywood Hills event; the MG Cyberster—no more trading on the past; celebrating the heritage of Kaohsiung, Taiwan; and the Global Elite Awards. We have three stunning shoots, the first from Carla Fuster Barahona, looking humorously at summer in the suburbs; our cover beauty shoot by Frankie Marin; and an inventive denim shoot by Katerina Tsatsani. And, of course, our expert commentary on what’s happening in the Zeitgeist.

Printed in the UK, 128 pp. on 150 g/m² stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place a minimum of three working days from the time of your order.

Cover: photographed by Frankie Marin; make-up by Elizabeth Follert; hair styled by Hailey Adickes; and modelled by Maia Bosch. Make-up by Bakeup Beauty and RMS Beauty.

ISSN 1176-8169

In this issue, a focus on creatives from around the world, with contributions from around the world. INF’s Kuo Wei celebrates his Taiwanese roots. Karen Hartman of Astor & Orion jewellery. Caitlin McEachran, the designer behind Seam New York. The designers of the 10th Modest Fashion Week in Abu Dhabi. An incredibly memorable shoot starring Gunita Stobe, photographed by Maria Magdalinou. Our cover shoot by Signe Vilstrup, and beautiful fashion and beauty editorials by returning photographers Eric Hason and Arturo Las Pinas, Jr. We give our autumn–winter 2025–6 preview, noting that fashion brands are stretching their creative muscles again. Abbie Chubb journeys to the soul of Botswana. Stanley Moss discovers the beauty of Rome. Elyse Glickman has 2025’s beauty trends at this year’s Expo West. Do nation brands affect fashion labels? Has the Festival de Cannes recovered post-Weinstein and after the COVID cancellation?

Printed in the UK, 128 pp. on 150 g/m² stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place a minimum of three working days from the time of your order.

Cover: photographed by Signe Vilstrup, modelled by Wiktoria Darda, styled by Panayiotis Panouklias, make-up by Dimitra Altani, hair by Gabriel Georgiou, and clothing by Dimitra Antonea.

ISSN 1176-8169

Printed in the UK, 116 pp. on 80 g/m² bond stock. Perfect bound, softcover. Dispatch takes place a minimum of three working days from the time of your order.

ISBN 978-0-473-74079-5

This issue: we look at artist and designer Lauren Altman and how she has successfully combined both her loves in a sustainable, slow fashion label. Dana Bandi, too, is a slow fashion label that we profile, while Emily Makare’s Cantermelon creates phone chains with a difference—they support a social enterprise. Our spring 2025 collection round-up appears with labels from Paris, Milano, and New York. We have incredible shoots from the team of Lindsay Adler, Cannon, Linh Nguyen and Joanne Gair, including one where we recall Hollywood icons Josephine Baker, Elizabeth Taylor, Audrey Hepburn and Diana Ross. Sopheak Seng, Louise Hatton and Hil Cook present their shoot, ‘My Good Judy’, a tribute to jeweller Judy Blame and the late, great Derek Elvy, featuring vintage pieces from Derek’s collection. Jody Miller has her finger on the pulse for what’s in for beauty. Jack Yan profiles photographer Mabrouk Othman in Dubai. Where did the celebs go in 2024? We look at international events and who nabbed the headlines—and just how did the Kardashian–Jenner clan get to where they are? Finally, we have two stories from Thailand: Elyse Glickman immerses herself in the south of the country, while Jack Yan and Amanda Satterthwaite find an oasis in the capital.

Printed in the UK, 128 pp. on 150 g/m² stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place a minimum of three working days from the time of your order.

Cover: photographed by Lindsay Adler, creative-directed and styled by Cannon, hair by Linh Nguyễn, and make-up by Joanne Gair. Modelled by Renata Gubayeva, wearing a hat by East Village Hats and dress by Randi Rahm.

ISSN 1176-8169

Nineteen Eighty-Four’s impact is such that we now know words and concepts such as Newspeak, doublethink, Thought Police, and, indeed, Orwellian. Many other works bear its influences: Fahrenheit 451, V for Vendetta, Black Mirror and Brazil, to name a few.

For over 75 years, Nineteen Eighty-Four continues to remind us it takes our collective efforts to defend family, truth, honesty and integrity against totalitarianism.

This edition features a new foreword paying tribute to George Orwell’s wife, Eileen O’Shaughnessy.

Printed in the UK, 304 pp. on 80 g/m² bond stock. Perfect bound, softcover. Dispatch takes place a minimum of three working days from the time of your order.

ISBN 978-0-473-73797-9

N.B.: As this edition is uncensored and unabridged, the author’s original strong language is used, including one racist word.

Ernest Hemingway was born in Cicero, Illinois, in 1899. After graduating from high school, he went to work for the Star newspaper in Kansas City as a reporter. In World War I, he served as an American Red Cross ambulance driver and was severely wounded in 1918 on the Austro–Italian front. Hospitalized in Milano, he fell in love with a Red Cross nurse, Agnes von Kurowsky, who eventually declined his marriage proposal. In 1921, he moved to France as a foreign correspondent for the Toronto Star. In Paris, he mixed with Gertrude Stein, F. Scott Fitzgerald and Ezra Pound, who encouraged him to publish his non-journalistic work. A number of books were released before his seminal A Farewell to Arms in 1929. He continued his writing as well as his journalism in the ensuing years. For Whom the Bell Tolls (1940) was set during the Spanish Civil War, and some regard this as his finest novel, surpassing A Farewell to Arms. He won the Pulitzer Prize in fiction in 1953 for The Old Man and the Sea, and the Nobel Prize for Literature in 1954. He died in Ketchum, Idaho, in 1961.

Cover illustration: Isola Bella In Lago Maggiore, by Sanford Robinson Gifford (1823–80).

Printed in the UK or the US, 268 pp. on 80 g/m² bond stock. Perfect bound, softcover. Dispatch takes place a minimum of three working days from the time of your order in the UK, seven working days in the US.

ISBN 978-0-473-73715-3

We learned from your feedback, and honed what a good yearbook is all about: a reference you could return to through the year as it plays out.

We’ve again included beautiful imagery. There’s more of a voice on interesting automotive subjects that we think mark the Zeitgeist.

We cover market trends such as the new push for aerodynamics and Chinese luxury: surely this is the time for them, coming up with brands more quickly than you could once have said Acura, Infiniti, Lexus three decades ago. We have spotlights on the Ford Capri, Renault 4 E-Tech, Lambor­ghini Temerario, and the Dodge Charger. We pay tribute to the late Marcello Gandini and offer a guide to his production designs. And just who are today’s designer names?

You’ve searched for the Opel Astra J more than any other model on our website (Ford Taunus 80 in last year’s Yearbook excepting), so we take a closer look. Since economic times are tough, we glance at some historical recession specials.

More pages, more photos and more considered writing. This year, it’s even more lavish in hardcover format with a dust jacket.

Autocade Year of Cars 2025: bigger, longer, harder.

Printed in the UK, 144 pp. on 150 g/m² stock, plus cover. Hardcover, case bound, with dust jacket. Dispatch takes place a minimum of three working days from the time of your order.

ISSN 3021-159X

Let us take you around the world with our global coverage of fashion and beauty. The Chrysalis Lab from New Zealand stylist and designer Emma Trask shows what’s possible with upcycling; Lüllepop’s latex fashion is elegant and free from the material’s fetishist context; and Berlin-based, Jeddah-born designer Hala Algharbawi talks about her inspirations. We profile Fargo’s Jessica Pohly and how she calls on her multi-disciplinary training for her work. Elyse Glickman looks at upcoming trends in independent beauty, and Stanley Moss heads to the Biennale di Venezia with his inimitable flair. Lindsay Adler, Joanne Gair, Linh Nguyen and Cannon collaborate on our cover shoot, while three of this amazing team provide two other stunning editorials. D. Andrianopoulos, Gabriel Georgiou and Dimitra Altani shoot for us in Athena. Jack Yan asks: where will the fashion industry be in a post-social media, post-search era?

Printed in the UK, 128 pp. on 150 g/m² stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place three days from the time of your order.

ISSN 1176-8169

This issue

9/ Letter from the Publisher

Zeitgeist

10/ Image of the Issue
12/ What’s in Trend

18/ The Hard Yards
Are we about to enter a post-social, post-search era on the web? Jack Yan spots some concerning trends in 2024

Fashion

22/ The Butterfly Effect
The Chrysalis Lab, with its inventive upcycling techniques, marks another step in a highly creative career for stylist and costume designer Emma Trask, who adds fashion designer to her credits. Jack Yan interviews the enterprising New Zealander

40/ Lüllepop: Limitless with Latex
Jack Yan interviews Lüllepop’s Cathleen Reinheckel, who has embarked on a mission to free latex from its fetishist context and to show just what elegant fashions the renewable and largely sustainable material can shape

52/ New York, Reset
A new venue brought a new flavour to New York’s fall 2024 collections, reports Lola Cristall

68/ Enriching Cultures
Hala Algharbawi’s approach to design is to seek out the authenticity and connections between cultures, telling her story through the medium of fashion

Beauty

84/ Ideas, Innovation, and Self-care Come of Age
Elyse Glickman attends 2024’s Adit show and finds that independent beauty brands are delivering what today’s consumers want
Event photographs by the author

Living

74/ Bringing Humanity
Jessica Pohly has impressed audiences in Fargo, part of a journey that has drawn on her training in many disciplines in the arts. Jack Yan talks to her
Photographed by Josh Fogel
Make-up by Beth Follert
Hair by Dionah Austgen

Editorials

64/ Seeing Gold
Photographed by Lindsay Adler
Fashion edited by the Cannon Media Group
Make-up by Joanne Gair
Hair by Linh Nguyen
Modelled by Molie Onyongo

90/ Skinscapes
Photographed by Lindsay Adler
Make-up by Joanne Gair
Hair by Linh Nguyen
Modelled by Misha Dubiaha

98/ Nature Reclaims
Photographed by D. Andrianopoulos
Modelled by Sumaya Hazarika
Make-up by Dimitra Altani
Hair by Gabriel Georgiou

110/ Dialled up
Photographed by Lindsay Adler
Make-up by Joanne Gair
Hair by Linh Nguyen
Modelled by Misha Dubiaha

Volante

118/ In Search of Laughs at the ’24 Venice Biennale
There may have not been a coherent thread at the Biennale di Venezia this year, entitled Foreigners Everywhere, but Stanley Moss did manage to find true treasures among the repetition and pretentiousness
Photographed by Gioia Meller Marcovicz

129/ Glancing back
A look back at our archives, 15, 10 and 5 years ago

130/ Luxury Line
Even the luxury sector can’t scare off customers in these times—we see familiar names and familiar approaches

From poverty, where his parents worked in a foundry, to a life filled with glamour, royalty and Hollywood stars, Panos Papadopoulos has never had a quiet moment. Here he tells his story in vivid style, from his proud roots in Greece, working as a guard in one of Sweden’s toughest prisons, to creating one of the most famous fashion labels in Scandinavia, as well as chairing a football team, making a beauty pageant pro-women, high drama being detained in Lebanon and run-ins with the mafia! He’s joined by a supporting cast that includes Victoria Silvstedt, Whitney Houston, Jamie Foxx, Alice Cooper and the King of Sweden, and he recounts his special friendship with Hermès chairman Jean-Louis Dumas. He mixes his story with hard-learned business lessons, how he pushed boundaries, and what drives his success. Find out how Panos did it, and how you, too, can go beyond your own limits.

ISBN 978-0-473-71731-5

Printed in the UK or USA. Dispatch takes place a minimum of three working days from the time of your order in the UK, seven working days in the US.