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	<title>international &#8211; Libriz</title>
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	<description>From the publisher of Lucire and Autocade</description>
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	<title>international &#8211; Libriz</title>
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		<title>Lucire issue 53</title>
		<link>https://lucire.biz/product/lucire-issue-53/</link>
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		<pubDate>Thu, 09 Apr 2026 23:41:58 +0000</pubDate>
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					<description><![CDATA[<p>Founded in 1997, <em>Lucire</em> became the first fashion magazine to go from an online format to a print one in 2004, with exclusive shoots that tend to stay in a print format, plus in-depth features and catwalk stories, evolving with the times and providing you a snapshot of the <em>Zeitgeist</em> in beautiful, luxurious volumes.</p>
<p><strong>Free postage in the UK.</strong></p>
]]></description>
										<content:encoded><![CDATA[<p>Founded in 1997, <em>Lucire</em> became the first fashion magazine to go from an online format to a print one in 2004, with exclusive shoots that tend to stay in a print format, plus in-depth features and catwalk stories, evolving with the times and providing you a snapshot of the <em>Zeitgeist</em> in beautiful, luxurious volumes.</p>
<p>In this issue: actress Samantha Rose Baldwin as photographed by Jon Moe; Fiji’s stunning Nanuku Resort; shoots by Dave Richards with creative direction by Sopheak Seng, John Blaine, Andreas Stavrinides, and Alena Saz starring Daphne Groeneveld; couturier Mario Costantino Triolo and his Constantly Mario label; what the fuel crisis of 1973 tells us about the trends of 2026; spring–summer 2026 haute couture; jewellery by Olympe &amp; Odin and designer Sofia Ait-Bahate’s Amazigh heritage; and latest beauty trends at Expo West. </p>
<p>Printed in the UK, 128 pp. on 150 g/m² stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place a minimum of three working days from the time of your order.</p>
<p>Cover: Jess S. wears Storm velvet suit, vintage bodysuit, Stolen Girlfriends chain necklace, and Tom Ford Neughman sunglasses, with creative direction and styling by Sopheak Seng, photography by Dave Richards, and make-up by Simone Thurlow. </p>
<p>ISSN 1176-8169</p>
]]></content:encoded>
					
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		<title>Autocade Year of Cars 2026 (hardcover)</title>
		<link>https://lucire.biz/product/autocade-year-of-cars-2026-hardcover/</link>
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		<pubDate>Sun, 09 Nov 2025 22:27:59 +0000</pubDate>
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					<description><![CDATA[<p><strong>Free postage in the UK.</strong></p>
<p><em>Autocade</em> is for the car enthusiast who isn’t impressed merely by horsepower and torque figures, but by the automobile’s place in society and history.</p>
<p><em>Year of Cars 2026</em> captures the <em>Zeitgeist</em> of the global automotive landscape, guiding you through this world’s rapid changes, examining significant models, relevant history, design, marketing, and trends for the year ahead. Inside, you’ll find thoughtful commentary, beautiful imagery, and detailed research.</p>
<p>Beautifully presented in a hardcover volume with a dust jacket, <em>Year of Cars 2026</em> is ideal for your own reference or as a gift to the car lover in your life.</p>
<p><strong><br />
Praise for earlier editions</strong></p>
<p>‘You need this brilliant yearbook about the current global car market … totally absorbing.’—<em>Mark Dixon, contributing editor,</em> Octane</p>
<p>‘In the great tradition of automotive annuals, <em>Autocade</em> is packed with great reading …’—<em>Giles Chapman, automotive industry authority and award-winning writer</em></p>
<p>‘A genuine collector’s item. You won’t want to put it down.’—<em>William Woollard, historian, producer and former </em>Top Gear<em> presenter</em></p>
<p>‘<em>Autocade</em> is in the grand tradition of beautifully produced annuals like <em>World Cars, Car Design Yearbook, Autocourse</em> and <em>Auto Universum</em>, yet offers a deep read for the road car devotee like nothing else I’ve seen. It helps you take stock of this rapidly changing automotive world, provokes thought, and feeds the appetite for insight. That it’s been made tangibly real from a digital background only reiterates the big-hearted passion behind it.’—<em>Giles Chapman, automotive industry authority and award-winning writer</em></p>
]]></description>
										<content:encoded><![CDATA[<p>It’s our third yearbook, and we’re covering everything from the Renault Twingo E-tech and Clio VI to the Rolls-Royce Phantom and Bugatti Tourbillon. </p>
<p>We’ve brought you more of what you love, with a 20-page guide to some of 2025’s (and a few of 2026’s) débutantes around the world, an analysis on whether there’s a 30-year cycle for car design, industry analyses including whether BYD will beat Ford in sales, how BMW’s kidney grille has morphed since its first appearance in 1931, and a celebration of 100 years of the Rolls-Royce Phantom. </p>
<p>Read more about models such as the Polestar 5, Ferrari 849 Testarossa, Toyota bZ7, and the aforementioned Bugatti and two Renaults—as well as a look back at the Daewoo Winstorm, your next most searched-for car on <a href="https://autocade.net"><em>Autocade</em></a>’s main website. We close this edition with two of Kylie Minogue’s car marketing gigs, for Ford and Lexus.</p>
<p>As with previous years, <em>Autocade Year of Cars 2026</em> is lavishly presented, on high-quality paper, and a hardcover with dust jacket, to be pride of place on a special car enthusiast’s bookshelf. </p>
<p>Printed in the UK, 144 pp. on 150 g/m² stock, plus cover. Hardcover, case bound, with dust jacket. Dispatch takes place a minimum of three working days from the time of your order.</p>
<p>ISSN 3021-159X</p>
]]></content:encoded>
					
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		<title>Lucire issue 52</title>
		<link>https://lucire.biz/product/lucire-issue-52/</link>
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		<pubDate>Sat, 30 Aug 2025 12:03:56 +0000</pubDate>
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					<description><![CDATA[Founded in 1997, <em>Lucire</em> became the first fashion magazine to go from an online format to a print one in 2004, with exclusive shoots that tend to stay in a print format, plus in-depth features and catwalk stories, evolving with the times and providing you a snapshot of the <em>Zeitgeist</em> in beautiful, luxurious volumes.

<strong>Free postage in the UK.</strong>]]></description>
										<content:encoded><![CDATA[<p>Founded in 1997, <em>Lucire</em> became the first fashion magazine to go from an online format to a print one in 2004, with exclusive shoots that tend to stay in a print format, plus in-depth features and catwalk stories, evolving with the times and providing you a snapshot of the <em>Zeitgeist</em> in beautiful, luxurious volumes.</p>
<p>In this issue: the magic of Julia Colléaux’s fashion; Paris’s autumn–winter 2025–6 haute couture shows; SKCreations’ Sharon A. Keyser on her approach to design; jewellery designer Suzy Levian carries on her family tradition; DIME Beauty’s big Hollywood Hills event; the MG Cyberster—no more trading on the past; celebrating the heritage of Kaohsiung, Taiwan; and the Global Elite Awards. We have three stunning shoots, the first from Carla Fuster Barahona, looking humorously at summer in the suburbs; our cover beauty shoot by Frankie Marin; and an inventive denim shoot by Katerina Tsatsani. And, of course, our expert commentary on what’s happening in the <em>Zeitgeist</em>.</p>
<p>Printed in the UK, 128 pp. on 150 g/m² stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place a minimum of three working days from the time of your order.</p>
<p>Cover: photographed by Frankie Marin; make-up by Elizabeth Follert; hair styled by Hailey Adickes; and modelled by Maia Bosch. Make-up by Bakeup Beauty and RMS Beauty.</p>
<p>ISSN 1176-8169</p>
]]></content:encoded>
					
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		<title>Lucire issue 51</title>
		<link>https://lucire.biz/product/lucire-issue-51/</link>
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		<pubDate>Wed, 28 May 2025 10:54:53 +0000</pubDate>
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					<description><![CDATA[Founded in 1997, <em>Lucire</em> became the first fashion magazine to go from an online format to a print one in 2004, with exclusive shoots that tend to stay in a print format, plus in-depth features and catwalk stories, evolving with the times and providing you a snapshot of the <em>Zeitgeist</em> in beautiful, luxurious volumes.

<strong>Free postage in the UK.</strong>]]></description>
										<content:encoded><![CDATA[<p>Founded in 1997, <em>Lucire</em> became the first fashion magazine to go from an online format to a print one in 2004, with exclusive shoots that tend to stay in a print format, plus in-depth features and catwalk stories, evolving with the times and providing you a snapshot of the <em>Zeitgeist</em> in beautiful, luxurious volumes.</p>
<p>In this issue, a focus on creatives from around the world, with contributions from around the world. INF’s Kuo Wei celebrates his Taiwanese roots. Karen Hartman of Astor &#038; Orion jewellery. Caitlin McEachran, the designer behind Seam New York. The designers of the 10th Modest Fashion Week in Abu Dhabi. An incredibly memorable shoot starring Gunita Stobe, photographed by Maria Magdalinou. Our cover shoot by Signe Vilstrup, and beautiful fashion and beauty editorials by returning photographers Eric Hason and Arturo Las Pinas, Jr. We give our autumn–winter 2025–6 preview, noting that fashion brands are stretching their creative muscles again. Abbie Chubb journeys to the soul of Botswana. Stanley Moss discovers the beauty of Rome. Elyse Glickman has 2025’s beauty trends at this year’s Expo West. Do nation brands affect fashion labels? Has the Festival de Cannes recovered post-Weinstein and after the COVID cancellation? </p>
<p>Printed in the UK, 128 pp. on 150 g/m² stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place a minimum of three working days from the time of your order.</p>
<p>Cover: photographed by Signe Vilstrup, modelled by Wiktoria Darda, styled by Panayiotis Panouklias, make-up by Dimitra Altani, hair by Gabriel Georgiou, and clothing by Dimitra Antonea.</p>
<p>ISSN 1176-8169</p>
]]></content:encoded>
					
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		<title>Lucire issue 50</title>
		<link>https://lucire.biz/product/lucire-issue-50/</link>
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		<pubDate>Wed, 22 Jan 2025 00:26:02 +0000</pubDate>
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					<description><![CDATA[Founded in 1997, <em>Lucire</em> became the first fashion magazine to go from an online format to a print one in 2004, with exclusive shoots that tend to stay in a print format, plus in-depth features and catwalk stories, all with <em>Lucire</em>’s trade-mark global approach, providing you a snapshot of the <em>Zeitgeist</em>.

<strong>Free postage in the UK.</strong>]]></description>
										<content:encoded><![CDATA[<p>Founded in 1997, <em>Lucire</em> became the first fashion magazine to go from an online format to a print one in 2004, with exclusive shoots that tend to stay in a print format, plus in-depth features and catwalk stories, all with <em>Lucire</em>’s trade-mark global approach, providing you a snapshot of the <em>Zeitgeist</em>.</p>
<p>This issue: we look at artist and designer Lauren Altman and how she has successfully combined both her loves in a sustainable, slow fashion label. Dana Bandi, too, is a slow fashion label that we profile, while Emily Makare’s Cantermelon creates phone chains with a difference—they support a social enterprise. Our spring 2025 collection round-up appears with labels from Paris, Milano, and New York. We have incredible shoots from the team of Lindsay Adler, Cannon, Linh Nguyen and Joanne Gair, including one where we recall Hollywood icons Josephine Baker, Elizabeth Taylor, Audrey Hepburn and Diana Ross. Sopheak Seng, Louise Hatton and Hil Cook present their shoot, ‘My Good Judy’, a tribute to jeweller Judy Blame and the late, great Derek Elvy, featuring vintage pieces from Derek’s collection. Jody Miller has her finger on the pulse for what’s in for beauty. Jack Yan profiles photographer Mabrouk Othman in Dubai. Where did the celebs go in 2024? We look at international events and who nabbed the headlines—and just how did the Kardashian–Jenner clan get to where they are? Finally, we have two stories from Thailand: Elyse Glickman immerses herself in the south of the country, while Jack Yan and Amanda Satterthwaite find an oasis in the capital. </p>
<p>Printed in the UK, 128 pp. on 150 g/m² stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place a minimum of three working days from the time of your order.</p>
<p>Cover: photographed by Lindsay Adler, creative-directed and styled by Cannon, hair by Linh Nguyễn, and make-up by Joanne Gair. Modelled by Renata Gubayeva, wearing a hat by East Village Hats and dress by Randi Rahm.</p>
<p>ISSN 1176-8169</p>
]]></content:encoded>
					
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		<title>Autocade Year of Cars 2025 (hardcover)</title>
		<link>https://lucire.biz/product/autocade-year-of-cars-2025-hardcover/</link>
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		<pubDate>Sat, 30 Nov 2024 01:19:48 +0000</pubDate>
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					<description><![CDATA[<strong>Free postage in the UK.</strong>

<em>Autocade</em> is for the car enthusiast who isn’t impressed merely by horsepower and torque figures, but by the automobile’s place in society and history.

<em>Year of Cars 2025</em> captures the <em>Zeitgeist</em> of the global automotive landscape, guiding you through this world’s rapid changes, examining significant models, relevant history, design, marketing, and trends for the year ahead. Inside, you’ll find thoughtful commentary, beautiful imagery, and detailed research.

Beautifully presented in a hardcover volume with a dust jacket, <em>Year of Cars 2025</em> is ideal for your own reference or as a gift to the car lover in your life.

<strong>
Praise for the 2025 edition</strong>

‘… a proper old-school anthology that takes an eclectic look at all things car-related’—<em>Mark Dixon, in</em> Octane

‘In the great tradition of automotive annuals, <em>Autocade</em> is packed with great reading …’—<em>Giles Chapman, automotive industry authority and award-winning writer</em>

<strong>
Praise for the 2024 edition</strong>

‘A genuine collector’s item. You won’t want to put it down.’—<em>William Woollard, historian, producer and former </em>Top Gear<em> presenter</em>

‘<em>Autocade</em> is in the grand tradition of beautifully produced annuals like <em>World Cars, Car Design Yearbook, Autocourse</em> and <em>Auto Universum</em>, yet offers a deep read for the road car devotee like nothing else I’ve seen. It helps you take stock of this rapidly changing automotive world, provokes thought, and feeds the appetite for insight. That it’s been made tangibly real from a digital background only reiterates the big-hearted passion behind it.’—<em>Giles Chapman, automotive industry authority and award-winning writer</em>]]></description>
										<content:encoded><![CDATA[<p>Covering a range of cars from the Perodua Axia E to a unique Rolls-Royce Phantom VIII, we present the second <em>Auto­cade</em> Yearbook, <em>Year of Cars 2025</em>.</p>
<p>We learned from your feedback, and honed what a good yearbook is all about: a reference you could return to through the year as it plays out.</p>
<p>We’ve again included beautiful imagery. There’s more of a voice on interesting automotive subjects that we think mark the <em>Zeitgeist</em>.</p>
<p>We cover market trends such as the new push for aerodynamics and Chinese luxury: surely this is the time for them, coming up with brands more quickly than you could once have said <em>Acura, Infiniti, Lexus</em> three decades ago. We have spotlights on the Ford Capri, Renault 4 E-Tech, Lambor­ghini Temerario, and the Dodge Charger. We pay tribute to the late Marcello Gandini and offer a guide to his production designs. And just who are today’s designer names?</p>
<p>You’ve searched for the Opel Astra J more than any other model on our website (Ford Taunus 80 in last year’s Yearbook excepting), so we take a closer look. Since economic times are tough, we glance at some historical recession specials.</p>
<p>More pages, more photos and more considered writing. This year, it’s even more lavish in hardcover format with a dust jacket.</p>
<p><em>Autocade Year of Cars 2025:</em> bigger, longer, harder.</p>
<p>Printed in the UK, 144 pp. on 150 g/m² stock, plus cover. Hardcover, case bound, with dust jacket. Dispatch takes place a minimum of three working days from the time of your order.</p>
<p>ISSN 3021-159X</p>
]]></content:encoded>
					
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		<title>Lucire issue 49 (ships globally; free postage in UK)</title>
		<link>https://lucire.biz/product/lucire-issue-49-uk/</link>
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		<pubDate>Sun, 30 Jun 2024 10:14:17 +0000</pubDate>
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					<description><![CDATA[<div class="woocommerce-product-details__short-description">Since <em>Lucire</em> became the first fashion magazine to go from an online format to a print one in 2004, the original edition has been printed in New Zealand. After 20 years, that’s finally changed, so the majority of <em>Lucire</em>’s readers no longer need to pay the exorbitant shipping costs from Down Under.

Check out our exclusive shoots that tend to stay in a print format, get heads-up on stories before they wind up online, and browse exclusive content, all with <em>Lucire</em>’s trade-mark global approach to fashion, providing you a snapshot of the <em>Zeitgeist</em>.
</div>]]></description>
										<content:encoded><![CDATA[<div class="woocommerce-product-details__short-description">
<p>Let us take you around the world with our global coverage of fashion and beauty. The Chrysalis Lab from New Zealand stylist and designer Emma Trask shows what’s possible with upcycling; Lüllepop’s latex fashion is elegant and free from the material’s fetishist context; and Berlin-based, Jeddah-born designer Hala Algharbawi talks about her inspirations. We profile <em>Fargo</em>’s Jessica Pohly and how she calls on her multi-disciplinary training for her work. Elyse Glickman looks at upcoming trends in independent beauty, and Stanley Moss heads to the Biennale di Venezia with his inimitable flair. Lindsay Adler, Joanne Gair, Linh Nguyen and Cannon collaborate on our cover shoot, while three of this amazing team provide two other stunning editorials. D. Andrianopoulos, Gabriel Georgiou and Dimitra Altani shoot for us in Athena. Jack Yan asks: where will the fashion industry be in a post-social media, post-search era?</p>
<p>Printed in the UK, 128 pp. on 150 g/m² stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place three days from the time of your order.</p>
<p>ISSN 1176-8169</p>
<p><strong>This issue</strong></p>
<p>9/ Letter from the Publisher</p>
<p><strong><em>Zeitgeist</em></strong></p>
<p>10/ Image of the Issue<br />
12/ What’s in Trend</p>
<p>18/ The Hard Yards<br />
Are we about to enter a post-social, post-search era on the web? Jack Yan spots some concerning trends in 2024</p>
<p><strong>Fashion</strong></p>
<p>22/ The Butterfly Effect<br />
The Chrysalis Lab, with its inventive upcycling techniques, marks another step in a highly creative career for stylist and costume designer Emma Trask, who adds fashion designer to her credits. Jack Yan interviews the enterprising New Zealander</p>
<p>40/ Lüllepop: Limitless with Latex<br />
Jack Yan interviews Lüllepop’s Cathleen Reinheckel, who has embarked on a mission to free latex from its fetishist context and to show just what elegant fashions the renewable and largely sustainable material can shape</p>
<p>52/ New York, Reset<br />
A new venue brought a new flavour to New York’s fall 2024 collections, reports Lola Cristall</p>
<p>68/ Enriching Cultures<br />
Hala Algharbawi’s approach to design is to seek out the authenticity and connections between cultures, telling her story through the medium of fashion</p>
<p><strong>Beauty</strong></p>
<p>84/ Ideas, Innovation, and Self-care Come of Age<br />
Elyse Glickman attends 2024’s Adit show and finds that independent beauty brands are delivering what today’s consumers want<br />
<em>Event photographs by the author</em></p>
<p><strong>Living</strong></p>
<p>74/ Bringing Humanity<br />
Jessica Pohly has impressed audiences in <em>Fargo</em>, part of a journey that has drawn on her training in many disciplines in the arts. Jack Yan talks to her<br />
<em>Photographed by Josh Fogel<br />
Make-up by Beth Follert<br />
Hair by Dionah Austgen</em></p>
<p><strong>Editorials</strong></p>
<p>64/ Seeing Gold<br />
<em>Photographed by Lindsay Adler<br />
Fashion edited by the Cannon Media Group<br />
Make-up by Joanne Gair<br />
Hair by Linh Nguyen<br />
Modelled by Molie Onyongo</em></p>
<p>90/ Skinscapes<br />
<em>Photographed by Lindsay Adler<br />
Make-up by Joanne Gair<br />
Hair by Linh Nguyen<br />
Modelled by Misha Dubiaha</em></p>
<p>98/ Nature Reclaims<br />
<em>Photographed by D. Andrianopoulos<br />
Modelled by Sumaya Hazarika<br />
Make-up by Dimitra Altani<br />
Hair by Gabriel Georgiou</em></p>
<p>110/ Dialled up<br />
<em>Photographed by Lindsay Adler<br />
Make-up by Joanne Gair<br />
Hair by Linh Nguyen<br />
Modelled by Misha Dubiaha</em></p>
<p><strong>Volante</strong></p>
<p>118/ In Search of Laughs at the ’24 Venice Biennale<br />
There may have not been a coherent thread at the Biennale di Venezia this year, entitled <em>Foreigners Everywhere</em>, but Stanley Moss did manage to find true treasures among the repetition and pretentiousness<br />
<em>Photographed by Gioia Meller Marcovicz</em></p>
<p>129/ Glancing back<br />
A look back at our archives, 15, 10 and 5 years ago</p>
<p>130/ Luxury Line<br />
Even the luxury sector can’t scare off customers in these times—we see familiar names and familiar approaches</p>
</div>
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		<title>Lucire issue 48 (USA) (free shipping within the US)</title>
		<link>https://lucire.biz/product/lucire-48-usa/</link>
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		<pubDate>Thu, 25 Jan 2024 10:45:39 +0000</pubDate>
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					<description><![CDATA[<div class="woocommerce-product-details__short-description">

<strong>Note: the US edition only ships domestically.</strong> 

<a href="https://lucire.biz/product/lucire-48/"><strong>International customers: click here</strong></a>

Since <em>Lucire</em> became the first fashion magazine to go from an online format to a print one in 2004, the original edition has been printed in New Zealand. After 20 years, that’s finally changed, so the majority of <em>Lucire</em>’s readers no longer need to pay the exorbitant shipping costs from Down Under.

Check out our exclusive shoots that tend to stay in a print format, get heads-up on stories before they wind up online, and browse exclusive content, all with <em>Lucire</em>’s trade-mark global approach to fashion, providing you a snapshot of the <em>Zeitgeist</em>.
</div>]]></description>
										<content:encoded><![CDATA[<div class="woocommerce-product-details__short-description">
<p>In this issue, read about Taiwanese-born British designer Grace Han who has wowed royalty and first ladies, French-trained American designer Davan Gregori, and Hawai‘i-founded, San Diego-based label Tiare Hawaii. We look at spring fashions and the collections in Paris, New York and Auckland, with exclusive photography from Paris by Daniella Lucier. Lola Cristall, Sopheak Seng, Elyse Glickman, Jody Miller and Jack Yan provide the words, while we feature shoots by Ana Galloway, Jock Robson, Maria Magdalinou, and John Blaine. Travel to Québec and to Melbourne, and read about Alli Reed, the founder of Stratia, the science-based beauty label.</p>
<p>Printed in the USA, 128 pp. on 80 g/m² stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place seven days from the time of your order.</p>
<p>ISSN 1176-8169</p>
<p><strong>This issue</strong></p>
<p>9/ Letter from the Publisher</p>
<p><strong><em>Zeitgeist</em></strong></p>
<p>10/ Image of the Issue<br />
12/ What’s in Trend</p>
<p>20/ Awaiting the Next Wave<br />
Fashion is still strong, as evidenced at the Fashion Awards, but not as dominant in the mainstream. Jack Yan offers his thoughts, with contributions from Lucire staff<br />
<em>Photographed by Darren Gerrish, Sophie Stafford, Richard Young, Tatiana Galic, Shaun James Cox, and Getty Images</em></p>
<p><strong>Fashion</strong></p>
<p>26/ Driven by Her Spirit, Inspired by a Memory<br />
Taiwanese-born British designer Grace Han’s journey has been a steadily paced, contemplative one, making careful moves on to the world stage and being inspired by her mother’s art. Jack Yan interviews her</p>
<p>34/ Authentic and Inclusive<br />
Hailing from San Francisco and trained in Lyon, Devan Gregori’s journey to her eponymous label is a distinctive one, and shapes her unique approach to sustainable, comfortable and inclusive fashion. Jack Yan interviews her</p>
<p>42/ Timely<br />
Paris Fashion Week saw designers eschewing the concept of time, resolving to live outside of its confines<br />
<em>Photographed by Danielle Lucier and courtesy labels</em></p>
<p>56/ The Return<br />
Sopheak Seng was there to see New Zealand Fashion Week’s return, where some labels showed that the covid-enforced break allowed them to redouble their efforts<br />
<em>Photographed by Brendon Thorne, Mackenzie Sweetnam, and Fiona Goodall</em></p>
<p>64/ A Glamorous Glow-up<br />
New York proved to be bold and confident, as Lola Cristall reviews her favourites from the spring–summer 2024 catwalks</p>
<p>70/ Beyond the Holiday<br />
Elyse Glickman speaks with Tiare Hawaii’s Jane Hoskins, who blends Hawai‘ian, Balinese and occidental cultures together with her travel clothing</p>
<p><strong>Beauty</strong></p>
<p>88/ Into the Stratia-sphere<br />
Stratia founder Alli Reed trusted science instead of hype to create one of indie beauty’s favourite upstarts. Jody Miller interviews her</p>
<p><strong>Living</strong></p>
<p>108/ Intrigue on the Riviera<br />
Anna Shilling’s <em>All in Monte Carlo</em> spins a high-stakes tale through the eyes of four women, founded in the very real lives of those who inhabit the quarter in Monaco. We review it<br />
<em>Photographed by Shan Tomouk</em></p>
<p><strong>Editorials</strong></p>
<p>74/ Fête Galante<br />
<em>Photographed by Ana Galloway<br />
Florals and direction by Yvette Edwards<br />
Styled by Sopheak Seng<br />
—Assisted by Miss Dom<br />
Hair and make-up by Hil Cook<br />
—Assisted by Kelly<br />
Modelled by Emily Gannon, Emily Greenfield, and Zach Bostrovas</em></p>
<p>82/ Don’t Worry, Darlings<br />
<em>Hair by Ronica Samang, Carla Murphy, Anthony Bayer, Tiffany Williams, Majid Joshan, and Gemma Hastie<br />
Creative direction by Sara Allsop<br />
Photographed by Jock Robson<br />
Make-up by Richard Symons<br />
Styled by Sopheak Seng</em></p>
<p>92/ Reinventions<br />
<em>Modelled by Astrid Bauer<br />
Photographed by Maria Magdalinou<br />
Make-up by Dimitra Altani<br />
Hair by Gabriel Georgiou</em></p>
<p>102/ Bombshell<br />
<em>Photographed by John Blaine<br />
Modelled by Savanna James<br />
Make-up by Iris Moreau<br />
Hair and styling by John Blaine<br />
Nails by Tracey Sutter</em></p>
<p><strong>Volante</strong></p>
<p>110/ Blending Past and Future<br />
Viking’s Canadian Discoveries cruise reminds Elyse Glickman of earlier times in Québec, while discovering historical villages, nature, and a simpler way of life<br />
<em>Photographed by the author</em></p>
<p>122/ Seventy-two hours in Melbourne<br />
Fashion and beauty editor Sopheak Seng indulges his passions with seventy-two hours in one of Australia’s most famous cities</p>
<p>129/ Glancing back<br />
A look back at our archives, 15, 10 and 5 years ago</p>
<p>130/ Luxury Line<br />
A celebration of heritage</p>
</div>
]]></content:encoded>
					
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		<title>Lucire issue 48 (ships globally; free postage in UK)</title>
		<link>https://lucire.biz/product/lucire-48/</link>
					<comments>https://lucire.biz/product/lucire-48/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 25 Jan 2024 01:36:32 +0000</pubDate>
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					<description><![CDATA[<div class="woocommerce-product-details__short-description">
Since <em>Lucire</em> became the first fashion magazine to go from an online format to a print one in 2004, the original edition has been printed in New Zealand. After 20 years, that’s finally changed, so the majority of <em>Lucire</em>’s readers no longer need to pay the exorbitant shipping costs from Down Under.

Check out our exclusive shoots that tend to stay in a print format, get heads-up on stories before they wind up online, and browse exclusive content, all with <em>Lucire</em>’s trade-mark global approach to fashion, providing you a snapshot of the <em>Zeitgeist</em>.
</div>]]></description>
										<content:encoded><![CDATA[<div class="woocommerce-product-details__short-description">
<p>In this issue, read about Taiwanese-born British designer Grace Han who has wowed royalty and first ladies, French-trained American designer Davan Gregori, and Hawai‘i-founded, San Diego-based label Tiare Hawaii. We look at spring fashions and the collections in Paris, New York and Auckland, with exclusive photography from Paris by Daniella Lucier. Lola Cristall, Sopheak Seng, Elyse Glickman, Jody Miller and Jack Yan provide the words, while we feature shoots by Ana Galloway, Jock Robson, Maria Magdalinou, and John Blaine. Travel to Québec and to Melbourne, and read about Alli Reed, the founder of Stratia, the science-based beauty label.</p>
<p>Printed in the UK, 128 pp. on 150 g/m² stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place three days from the time of your order.</p>
<p>ISSN 1176-8169</p>
<p><strong>This issue</strong></p>
<p>9/ Letter from the Publisher</p>
<p><strong><em>Zeitgeist</em></strong></p>
<p>10/ Image of the Issue<br />
12/ What’s in Trend</p>
<p>20/ Awaiting the Next Wave<br />
Fashion is still strong, as evidenced at the Fashion Awards, but not as dominant in the mainstream. Jack Yan offers his thoughts, with contributions from Lucire staff<br />
<em>Photographed by Darren Gerrish, Sophie Stafford, Richard Young, Tatiana Galic, Shaun James Cox, and Getty Images</em></p>
<p><strong>Fashion</strong></p>
<p>26/ Driven by Her Spirit, Inspired by a Memory<br />
Taiwanese-born British designer Grace Han’s journey has been a steadily paced, contemplative one, making careful moves on to the world stage and being inspired by her mother’s art. Jack Yan interviews her</p>
<p>34/ Authentic and Inclusive<br />
Hailing from San Francisco and trained in Lyon, Devan Gregori’s journey to her eponymous label is a distinctive one, and shapes her unique approach to sustainable, comfortable and inclusive fashion. Jack Yan interviews her</p>
<p>42/ Timely<br />
Paris Fashion Week saw designers eschewing the concept of time, resolving to live outside of its confines<br />
<em>Photographed by Danielle Lucier and courtesy labels</em></p>
<p>56/ The Return<br />
Sopheak Seng was there to see New Zealand Fashion Week’s return, where some labels showed that the covid-enforced break allowed them to redouble their efforts<br />
<em>Photographed by Brendon Thorne, Mackenzie Sweetnam, and Fiona Goodall</em></p>
<p>64/ A Glamorous Glow-up<br />
New York proved to be bold and confident, as Lola Cristall reviews her favourites from the spring–summer 2024 catwalks</p>
<p>70/ Beyond the Holiday<br />
Elyse Glickman speaks with Tiare Hawaii’s Jane Hoskins, who blends Hawai‘ian, Balinese and occidental cultures together with her travel clothing</p>
<p><strong>Beauty</strong></p>
<p>88/ Into the Stratia-sphere<br />
Stratia founder Alli Reed trusted science instead of hype to create one of indie beauty’s favourite upstarts. Jody Miller interviews her</p>
<p><strong>Living</strong></p>
<p>108/ Intrigue on the Riviera<br />
Anna Shilling’s <em>All in Monte Carlo</em> spins a high-stakes tale through the eyes of four women, founded in the very real lives of those who inhabit the quarter in Monaco. We review it<br />
<em>Photographed by Shan Tomouk</em></p>
<p><strong>Editorials</strong></p>
<p>74/ Fête Galante<br />
<em>Photographed by Ana Galloway<br />
Florals and direction by Yvette Edwards<br />
Styled by Sopheak Seng<br />
—Assisted by Miss Dom<br />
Hair and make-up by Hil Cook<br />
—Assisted by Kelly<br />
Modelled by Emily Gannon, Emily Greenfield, and Zach Bostrovas</em></p>
<p>82/ Don’t Worry, Darlings<br />
<em>Hair by Ronica Samang, Carla Murphy, Anthony Bayer, Tiffany Williams, Majid Joshan, and Gemma Hastie<br />
Creative direction by Sara Allsop<br />
Photographed by Jock Robson<br />
Make-up by Richard Symons<br />
Styled by Sopheak Seng</em></p>
<p>92/ Reinventions<br />
<em>Modelled by Astrid Bauer<br />
Photographed by Maria Magdalinou<br />
Make-up by Dimitra Altani<br />
Hair by Gabriel Georgiou</em></p>
<p>102/ Bombshell<br />
<em>Photographed by John Blaine<br />
Modelled by Savanna James<br />
Make-up by Iris Moreau<br />
Hair and styling by John Blaine<br />
Nails by Tracey Sutter</em></p>
<p><strong>Volante</strong></p>
<p>110/ Blending Past and Future<br />
Viking’s Canadian Discoveries cruise reminds Elyse Glickman of earlier times in Québec, while discovering historical villages, nature, and a simpler way of life<br />
<em>Photographed by the author</em></p>
<p>122/ Seventy-two hours in Melbourne<br />
Fashion and beauty editor Sopheak Seng indulges his passions with seventy-two hours in one of Australia’s most famous cities</p>
<p>129/ Glancing back<br />
A look back at our archives, 15, 10 and 5 years ago</p>
<p>130/ Luxury Line<br />
A celebration of heritage</p>
</div>
]]></content:encoded>
					
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		<title>Autocade Yearbook 2024 (ships globally; free postage in UK)</title>
		<link>https://lucire.biz/product/autocade-yearbook-2024/</link>
					<comments>https://lucire.biz/product/autocade-yearbook-2024/#comments</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 22 Nov 2023 01:38:27 +0000</pubDate>
				<guid isPermaLink="false">https://demosites.io/shop-gb/?post_type=product&#038;p=97</guid>

					<description><![CDATA[<div class="woocommerce-product-details__short-description">
<p><strong><a href="https://lucire.biz/product/autocade-year-of-cars-2025-hardcover/"><font color="#ab231d">Click here for the 2025 edition, with free postage in the UK.</font></a></strong>
<P><strong><a href="https://lucire.biz/product/autocade-yearbook-2024-usa/">US customers: click here for the US-printed edition, with free shipping</font></a></strong>
<P>‘A genuine collector’s item. You won’t want to put it down.’—<em><nobr>William Woollard,</nobr> historian, producer and former</em> Top Gear <em>presenter</em>
<p>‘<em>Autocade</em> is in the grand tradition of beautifully produced annuals like <em>World Cars, Car Design Yearbook, Autocourse</em> and <em>Auto Universum</em>, yet offers a deep read for the road car devotee like nothing else I’ve seen. It helps you take stock of this rapidly changing automotive world, provokes thought, and feeds the appetite for insight. That it’s been made tangibly real from a digital background only reiterates the big-hearted passion behind it.’<em>—<nobr>Giles Chapman,</nobr> automotive industry authority and writer</em></p>
<p>‘Thank goodness <em>Autocade</em>’s new annual print edition has finally arrived: the comprehensive auto book we’ve been waiting for. Filled with large-format photography and rich in expert information and opinion, <em>Autocade</em>’s sophisticated, global yearbook stands apart from any of the other car mags. This one stays on my coffee table!’<em>—­<nobr>Stanley Moss,</nobr> branding guru and author</em></p>
<p>Finally, a publication for the car enthusiast who isn’t impressed merely by horsepower and torque figures, but by the automobile’s place in society and history, including its design and wider trends. </p>
<p><em>Autocade</em> takes the lead of the original, long-running online car encyclopædia, uses its foundation and builds on it with behind-the-scenes stories, stunning visuals and considered writing.</p>
<p>It’s a homage to the automotive yearbooks of yesterday, brought into the mid-2020s in this attractive volume.</p>
</div>
]]></description>
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<p><strong>We’re here! Welcome to the first <em>Auto­cade</em> Yearbook.</strong> It’s been a long time coming since our founding in 2008, but we knew <em>Autocade</em> deserved to be in print—because there are a lot of enthusiasts like ourselves, and you’re the ones we’ve created this publication for.</p>
<p>We’re not just about horsepower and torque, but the human stories behind the motor car, the design and thinking that go into one, and what it means in society. There is discussion on new cars and classics, bringing history into sharp relevance for the 2020s, especially when we examine their bloodlines. </p>
<p><em>Autocade</em> features behind-the-scenes stories, stunning visuals and considered writing. It’s a homage to the automotive yearbooks of yesterday, brought into the mid-2020s in this attractive volume.</p>
<p><strong>We welcome your feedback—because we&#8217;d love to do a second issue and tailor it to you.</strong></p>
<p>Printed in the United Kingdom, 128 pp. on 150 g/m² coated stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place three days from the time of your order.</p>
<p><P>ISSN 3021-159X
</div>
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