In this issue: the magic of Julia Colléaux’s fashion; Paris’s autumn–winter 2025–6 haute couture shows; SKCreations’ Sharon A. Keyser on her approach to design; jewellery designer Suzy Levian carries on her family tradition; DIME Beauty’s big Hollywood Hills event; the MG Cyberster—no more trading on the past; celebrating the heritage of Kaohsiung, Taiwan; and the Global Elite Awards. We have three stunning shoots, the first from Carla Fuster Barahona, looking humorously at summer in the suburbs; our cover beauty shoot by Frankie Marin; and an inventive denim shoot by Katerina Tsatsani. And, of course, our expert commentary on what’s happening in the Zeitgeist.

Printed in the UK, 128 pp. on 150 g/m² stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place a minimum of three working days from the time of your order.

Cover: photographed by Frankie Marin; make-up by Elizabeth Follert; hair styled by Hailey Adickes; and modelled by Maia Bosch. Make-up by Bakeup Beauty and RMS Beauty.

ISSN 1176-8169

In this issue, a focus on creatives from around the world, with contributions from around the world. INF’s Kuo Wei celebrates his Taiwanese roots. Karen Hartman of Astor & Orion jewellery. Caitlin McEachran, the designer behind Seam New York. The designers of the 10th Modest Fashion Week in Abu Dhabi. An incredibly memorable shoot starring Gunita Stobe, photographed by Maria Magdalinou. Our cover shoot by Signe Vilstrup, and beautiful fashion and beauty editorials by returning photographers Eric Hason and Arturo Las Pinas, Jr. We give our autumn–winter 2025–6 preview, noting that fashion brands are stretching their creative muscles again. Abbie Chubb journeys to the soul of Botswana. Stanley Moss discovers the beauty of Rome. Elyse Glickman has 2025’s beauty trends at this year’s Expo West. Do nation brands affect fashion labels? Has the Festival de Cannes recovered post-Weinstein and after the COVID cancellation?

Printed in the UK, 128 pp. on 150 g/m² stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place a minimum of three working days from the time of your order.

Cover: photographed by Signe Vilstrup, modelled by Wiktoria Darda, styled by Panayiotis Panouklias, make-up by Dimitra Altani, hair by Gabriel Georgiou, and clothing by Dimitra Antonea.

ISSN 1176-8169

This issue: we look at artist and designer Lauren Altman and how she has successfully combined both her loves in a sustainable, slow fashion label. Dana Bandi, too, is a slow fashion label that we profile, while Emily Makare’s Cantermelon creates phone chains with a difference—they support a social enterprise. Our spring 2025 collection round-up appears with labels from Paris, Milano, and New York. We have incredible shoots from the team of Lindsay Adler, Cannon, Linh Nguyen and Joanne Gair, including one where we recall Hollywood icons Josephine Baker, Elizabeth Taylor, Audrey Hepburn and Diana Ross. Sopheak Seng, Louise Hatton and Hil Cook present their shoot, ‘My Good Judy’, a tribute to jeweller Judy Blame and the late, great Derek Elvy, featuring vintage pieces from Derek’s collection. Jody Miller has her finger on the pulse for what’s in for beauty. Jack Yan profiles photographer Mabrouk Othman in Dubai. Where did the celebs go in 2024? We look at international events and who nabbed the headlines—and just how did the Kardashian–Jenner clan get to where they are? Finally, we have two stories from Thailand: Elyse Glickman immerses herself in the south of the country, while Jack Yan and Amanda Satterthwaite find an oasis in the capital.

Printed in the UK, 128 pp. on 150 g/m² stock, plus cover. Laminated softcover, perfect bound. Dispatch takes place a minimum of three working days from the time of your order.

Cover: photographed by Lindsay Adler, creative-directed and styled by Cannon, hair by Linh Nguyễn, and make-up by Joanne Gair. Modelled by Renata Gubayeva, wearing a hat by East Village Hats and dress by Randi Rahm.

ISSN 1176-8169

We learned from your feedback, and honed what a good yearbook is all about: a reference you could return to through the year as it plays out.

We’ve again included beautiful imagery. There’s more of a voice on interesting automotive subjects that we think mark the Zeitgeist.

We cover market trends such as the new push for aerodynamics and Chinese luxury: surely this is the time for them, coming up with brands more quickly than you could once have said Acura, Infiniti, Lexus three decades ago. We have spotlights on the Ford Capri, Renault 4 E-Tech, Lambor­ghini Temerario, and the Dodge Charger. We pay tribute to the late Marcello Gandini and offer a guide to his production designs. And just who are today’s designer names?

You’ve searched for the Opel Astra J more than any other model on our website (Ford Taunus 80 in last year’s Yearbook excepting), so we take a closer look. Since economic times are tough, we glance at some historical recession specials.

More pages, more photos and more considered writing. This year, it’s even more lavish in hardcover format with a dust jacket.

Autocade Year of Cars 2025: bigger, longer, harder.

Printed in the UK, 144 pp. on 150 g/m² stock, plus cover. Hardcover, case bound, with dust jacket. Dispatch takes place a minimum of three working days from the time of your order.

ISSN 3021-159X